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memoryepsilon: Bruce Conner ‘Sound of Two Angels’, 1974 (via asteriasmoonwater)
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174 ♥
issafly: Laurence Le Guay (via Dance movement, (circa 1946) by Laurence Le Guay :: The Collection :: Art Gallery NSW)
39 ♥
stelliii: Meret Oppenheim: “Squirrel”, 1960
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TTV from my flickr
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Image: Peter Stone/Stanley Donwood, from Holloway by Robert Macfarlane, Stanley Donwood & Dan Richards (Faber & Faber). Journeys through the wild, tunnel-like, sunken lanes of Dorset.
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archives-dada: Hannah Höch: “Siebenmeilenstiefel”, 1934, Photomontage, 22,9 x 32,29 cm, Hamburger Kunsthalle, Kupferstichkabinett | © Christoph Irrgang, VG Bild-Kunst, Bonn 2011/Courtesy Kunstsammlung NRW
91 ♥
The Saragossa Manuscript, 1965, Wojciech Has.
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Eugène Carrière: Head Of A Young Girl (1890)
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Be, in this immensity of night, the magic force at your sense’s crossroad…

— Rainer Maria Rilke, from Sonnets to Orpheus, Book Two, XXIX, translation by Robert Hunter (via frenchtwist)
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Eugène Carrière (1849-1906) Edmond de Goncourt on Carrière’s family paintings: “a first impression that was somewhat nightmarish: like entering a room full of ghostly portraits with large pale hands, sickly flesh, the colours washed out by a shaft of moonlight. The eyes then get accustomed to the night of these faces from the crypt, from the cellar, where, after a time, a touch of the tea-rose pink seems to surface from under the grey-painted skin.”
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Excerpt from Like A Nut In Your Hand, part of Paul Elliman’s contribution to the exhibition Latent Stare in Utrecht, 2012. Published by Colophon and Casco. Via hoolawhoop
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W Eugene Smith: Steel mill worker, Philadelphia, 1955  via Art Blart
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